Expand digital intermediate and multicam workflows
With the new Avid Image Sequencer plug-in, you can now read DPX files directly in Media Composer—no transcoding required. And if you work in stereoscopic 3D, you can now create groups from stereoscopic clips for multicam editing. Simply add S3D clips to a group; Media Composer displays the metadata for the clip designated as the leading eye in the bin.
Stay up to date with the new application manager
Media Composer comes with a new application manager that keeps you up to date with your software. See what Avid software, AMA plug-ins, and related third-party applications you have installed on your system. Get notified when new updates, upgrades, and renewals are available. Activate and download new software, updates, and upgrades from the interface. And if you’re interested in a new product or upgrade, you can even see if a software trial is available to try it out first. It will even alert you about special offers, upcoming webinars, and events.
Accelerate and automate your workflow
Gain more time for creativity with new features that accelerate and simplify file-based workflows. With the new FrameFlex tools, you can acquire high-res sources and immediately start working in HD while maintaining full creative control of the image reframing and keyframing, from beginning to end (See how). With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow. Plus, you’ll get peace of mind as Media Composer now fully manages and associates AMA-linked media as reliably as it does with native Avid media (see how).
Edit and collaborate remotely in real time
Edit, share, tag, track, and sync media and projects with everyone on your editing team—no matter where you are in the world. Media Composer enables you to connect to Interplay | Production systems through Media Composer | Cloud (formerly Interplay Sphere), making remote cloud-based collaboration easy and cost-effective. What’s more, you can edit just as efficiently as you would if you were all at the home facility, using the same tools and workflows you know and trust.
Gain total audio control
Get the tools you need to perfect your entire soundtrack with ease. With new support for 64-bit AAX audio plug-ins and the new Master Audio Fader, you can create, edit, and enhance audio mixes and optimize the overall program loudness, making broadcast regulation adherence quick and easy. Make audio adjustments to any clip directly in the timeline—independently of any track-based automation—with the Clip Gain control. Generate multiple audio mixdowns automatically using the Multiple Mix window. Maintain audio track sync with Automatic Delay Compensation (like in Pro Tools). And work with floating point audio with new AMA support for Broadcast WAVE files.
Expand your creativity with options
Edit with the exact tools you need by simply adding options for the workflows you want. Add advanced and secondary color correction tools, mastering tools, and the Boris Continuum Complete Lite effects pack with the Media Composer | Symphony Option for online editing. Integrate Media Composer into iNEWS and ENPS workflows with the Media Composer | NewsCutter Option for news editing. Create titles and optimize your audio and video with the Media Composer | Production Pack, which includes NewBlue Titler Pro 2, iZotope Insight, and Sorenson Squeeze. And capture, monitor, and output video with a hardware-accelerated Media Composer | Nitris DX or Media Composer | Mojo DX video I/O interface.
Windows
Computer: Avid-qualified Windows-based computer
OS:Windows 7 Professional SP1 (64-bit), Windows 8 Professional or Enterprise (64-bit)
Processor: Intel Quad Core i7 or Quad Core Xeon processor
Memory:
4 GB RAM minimum (6+ GB recommended)
8 GB RAM minimum required to support Media Composer | Cloud (formerly Interplay Sphere)1, background transcoding, and Dynamic Media Folders
16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
Graphics card: NVIDIA Quadro family2 (Q600 or higher recommended), Intel HD4000
Internal hard drive: Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
Mac OS X
Computer: Avid-qualified Mac-based computer
OS: Mac OS X Lion, Mountain Lion, and Mavericks (64-bit)
Processor: Intel Quad Core i7 or Quad Core Xeon processor
Memory:
4 GB RAM minimum (6+ GB recommended)
8 GB RAM minimum required to support Media Composer | Cloud (formerly Interplay Sphere)1, background transcoding, and Dynamic Media Folders
16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
Graphics card:NVIDIA GeForce family2 (recommended), Intel HD4000 or ATI Radeon family (as supported by Apple) )
Internal hard drive: Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
Additional compatibility information
QuickTime: Avid has tested and qualified Apple QuickTime X for Mac users and QuickTime 7.6.9 for Windows users
Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material
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